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Christian Dior draping fabric over model Sylvie, 1948. Courtesy of Christian Dior. 

RETROSPECTIVE OF THE HOUSE OF DIOR IN NOVEMBER 2018

DIOR
From Paris to the World
19/11/2018-3/3/2019
Opens November 19, 2018

Dior: From Paris to the World surveys 70 years of the House of Dior’s enduring legacy and its global influence. A selection of 150 couture dresses, as well as accessories, costume jewelry, photographs, drawings, runway videos, and other archival material, will trace the history of the iconic haute couture fashion house, its founder, Christian Dior, and the subsequent artistic directors who carried Dior’s vision into the 21st century.
(DAM) will be home to the U.S. presentation of Dior: From Paris to the World, an exhibition surveying more than 70years of the House of Dior’s enduring legacy and its global influence. A selection of more than 200 haute couture dresses, as well as accessories, photographs, original sketches, runway videos and other archival material, will trace the history of the iconic haute couture fashion house.
 
Dior: From Paris to the World also will profile its founder, Christian Dior, and subsequent artistic directors, including Yves-Saint Laurent (1958–1960), Marc Bohan (1961–1989), Gianfranco Ferré (1989–1996), John Galliano 1997–2011), Raf Simons (2012–2015) and Maria Grazia Chiuri (2016–present), who have carried Dior’s vision into the 21st century.

Posted 20 October 2018

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Dior: From Paris to the World also will highlight North and South American patrons’ vital role in helping establish the House of Dior’s global presence. Organized by the DAM and curated by Florence Müller, the DAM’s Avenir Foundation Curator of Textile Art and Fashion, the exhibition will be on view from Nov. 19, 2018 to March 3, 2019, and will be designed by Shohei Shigematsu, OMA Partner and Director of the global firm’s New York office.
 
The more than 70-year Dior retrospective will offer a new vision on the fashion house’s legacy following the Paris exhibition currently underway at the Musée des Arts Décoratifs.
 
“Dior: From Paris to the World will give our visitors insight into the House of Dior’s creative process and inspirations that contributed to its unparalleled impact on the fashion world, which continues to reverberate today,” said Christoph Heinrich, Frederick and Jan Mayer Director of the DAM.

“This exhibition will encourage audiences to think differently about the boundaries of fashion as art, and advance the museum’s commitment to taking viewers behind the scenes to reveal Dior’s imaginative and innovative endeavors.”
 
Christian Dior generated a revolution in Paris and around the globe after World War II in 1947 with his New Look collection. Dior, the art gallerist who became a celebrated couturier, completely shed the masculine silhouette that had been established during the war, expressing modern femininity with his debut collection. Dior’s sophisticated designs, featuring soft shoulders, accentuated busts and nipped waists, drew on his inspirations of art, antiques, fashion illustration and his passion for gardening. The result was elegant feminine contours that brought a breath of fresh air to the fashion world through luxurious swaths of fabrics, revolutionary design and lavish embroidery. This marked the beginning of an epic movement in fashion history that would eventually lead to Dior successfully becoming the first worldwide couture house.

Christian Dior, Fanny. Celestial blue taffeta gala dress worn by Mrs. Elizabeth Firestone. Haute Couture Fall-Winter 1953, Vivante line. From the Collections of The Henry Ford, gift of Mrs. Harvey Firestone, Jr. Inv. 89.492.342 ©Laziz Hamani. 

Yves Saint Laurent for Christian Dior, Bal Masqué. Haute Couture Spring-Summer 1958, Trapèze line. Short evening dress in point d’esprit tulle embroidered with jet beads and embellished with satin bows. Dior Héritage collection, Paris; Inv. 1987.101 ©Laziz Hamani. 

Christian Dior with models, about 1955. Photo André Gandner. ©Clémence Gandner 

Gianfranco Ferré for Christian Dior, Palladio. Long pleated georgette crepe dress. Haute Couture Spring-Summer 1992, In Balmy Summer Breezes collection. Dior Héritage collection, Paris Inv. 1992.23 ©Laziz Hamani 

John Galliano for Christian Dior, Gold embroidered triple organza jacket and skirt. Haute couture Spring-Summer 2004. Dior Héritage collection, Paris. Inv. 2004.50. ©Laziz Hamani. 

Christian Dior, Opium. Brocaded silk satin long evening gown worn by Her Serene Highness Grace of Monaco. Haute Couture Fall-Winter 1957, Fuseau line Dior Héritage collection, Paris Inv. 1987.15 ©Laziz Hamani 

The museum will mount this major exhibition with loans from the esteemed Dior Héritage Collection, many of which have rarely been seen outside of Europe, with additional loans from major institutions. The chronological presentation, showcasing pivotal themes in the House of Dior’s global history, will focus on how Christian Dior cemented his fashion house’s reputation within a decade and established the house on five continents—Africa, Asia, Europe, North America and South America. Dior: From Paris to the World also will highlight how his successors adeptly incorporated their own design aesthetic.
 
“Artistic interpretation has always been a key factor to the House of Dior’s success in creating a global legacy for the French haute couture house,” said curator Müller. “Each one of the artistic directors has accomplished this during their tenure and through their visions. Visitors will witness this through thematic exhibition sections, and will also begin to understand how the Americas contributed to the success of the house over a seven decade period.”

North and South American patrons were essential to establishing the House of Dior’s international prestige, especially after World War II when designers in Paris were looking to reestablish the city as the epicenter of creativity and design. Dior accomplished this by founding locations in countries such as the U.S., Mexico, Venezuela and Chile.
 
Locations central to building its reputation in the U.S. included New York, Los Angeles, Dallas and Chicago, following Christian Dior’s invitation to tour the country after being presented the esteemed Neiman Marcus award. Americans welcomed avant-garde fashion and culture during this time period, taking an interest in Dior’s extravagant designs. Notable clients at the time included famed actresses Marilyn Monroe, Rita Hayworth and Elizabeth Taylor.

Elizabeth Taylor wearing Soirée à Rio dress (Spring-Summer Haute Couture Collection and wearing a pair of diamond and cultured pearl ear pendants, by Ruser), 1961. ©Mark Shaw/mptvimages.com 

John Galliano for Christian Dior, Embroidered mohair bouclette coat. Haute Couture Fall-Winter 2009. Dior Héritage collection, Paris. Inv. 2010.20 ©Laziz Hamani.

Maria Grazia Chiuri for Christian Dior, “Dior Red” ball gown in tiered tulle fans, after the design Francis Poulenc, 1950. Haute Couture Spring-Summer 2018.

John Galliano for Christian Dior, Embroidered satin dress. Haute Couture Fall-Winter 2004. Dior Héritage collection, Paris. Inv. 2005.2. Pool BASSIGNAC/ BENAINOUS/ Gamma-Rapho Collection/Getty Images

Visitors also will be able to delight in seeing the exquisite technique of the Dior atelier in a dramatic visual display presenting a glimpse into this secret world, including sketches, toiles, dress patterns and the intricate process of embroidery. The atelier represents the heart of the house where seamstresses work with Dior’s creative directors to collaboratively bring couture to life as art, with the goal of making women more beautiful and therefore happier—which was Christian Dior’s ultimate dream as a couturier.
 
Internationally renowned architect Shohei Shigematsu, also known for his work designing the critically acclaimed 2015 Manus x Machina: Fashion in the Age of Technology exhibition at the Metropolitan Museum of Art, will oversee the exhibition design, building off of the bold architecture of the Frederic C. Hamilton Building to showcase the House of Dior’s innovative haute couture.

Inside the House of Dior atelier, preparation for the Spring-Summer 2017 Haute Couture collection, Maria Grazia Chiuri for Christian Dior. Photo ©Sophie Carre. 

Christian Dior, Opium. Brocaded silk satin long evening gown worn by Her Serene Highness Grace of Monaco. Haute Couture Fall-Winter 1957, Fuseau line Dior Héritage collection, Paris Inv. 1987.15 ©Laziz Hamani. 

The DAM’s exhibition Dior: From Paris to the World will be on view in the Anschutz and Martin and McCormick galleries on level two of the Hamilton Building. Group ticket sales are now available for reservations of 10 or more. To book a group, please email groupsales@denverartmuseum.org or call +1 720- 913-0088. Individual tickets will go on sale Oct. 6, 2018.
 
EXHIBITION SPONSORS
Dior: From Paris to the World is organized by the Denver Art Museum. It is generously presented by Joy and Chris Dinsdale. Additional funding is provided by Bridget and John Grier, Swarovski, Nancy Lake Benson, John Brooks Incorporated, the Fine Arts Foundation, the donors to the Annual Fund Leadership Campaign, the Textile and Fashion Circle and the citizens who support the Scientific and Cultural Facilities District (SCFD). Special thanks to the Avenir Foundation for its support of the department of textile art and fashion. Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight and The Denver Post.

ABOUT OMA NEW YORK/SHOHEI SHIGEMATSU OMA is a leading international partnership practicing architecture, urbanism and cultural analysis. Established in 2001, OMA New York has overseen the completion of the Seattle Central Library, the IIT Campus Center, the Prada New York Epicenter and Milstein Hall at Cornell University.
Shohei Shigematsu is a Partner at OMA and has led the firm’s diverse portfolio in the Americas for over the last decade. His engagements in cultural venues include an extension to the National Art Museum of Quebec; the Faena Forum, a multi-purpose venue in Miami Beach; an extension to the Albright Knox Gallery in Buffalo, New York; and an event space for the Wilshire Boulevard Temple in Los Angeles. Sho also designed exhibitions for Prada, the Venice Architecture Biennale, the Metropolitan Museum of Art and the Park Avenue Armory.
 
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Marc Bohan for Christian Dior, Soirée à Rio. Chiffon and embroidered faille evening gown worn by Elizabeth Taylor. Haute Couture Spring-Summer 1961, Slim Look collection. Dior Héritage collection, Paris Inv. 1993.15 ©Laziz Hamani.

Florence Müller, Avenir Foundation Curator of Textile Art & Fashion at the Denver Art Museum. Photo by Marc Piscotty. 

Shohei Shigematsu, exhibition designer, OMA Partner. Photo

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