“It takes all sorts to make a world”, Koeke is humorously playing a serious play on femininity, role stereotyping, power woman, in short with gender issues. Textiles, increasingly developing into plastics and synthetic materials within the last years, hook up as Koeke’s medium with the colourful costumes of the opera where her father worked as a musician, the typical Polish adornment of folkloric costumes and her and her sisters’ childhood drawings. The text by Nils Büttner clearly explains Koeke’s development elucidating the chosen content on the basis of Nietzsche’s Zarathustra in the field of tensions between man and woman. “In their performative vivification, Justyna Koeke’s sculptures play with visual and believe systems, with constrains and possibilities of being society.”
The website BAFW said: “Justyna Koeke lives and works in Ludwigsburg/Stuttgart and Krakow. Her work as an artist and curator resides at the intersection between performance, fashion, and sculpture. She creates handmade textile, wearable sculptures and uses them for performances in different contexts, such as in galleries and public space. Disguise is used as a form of artistic communication with society, the body as a carrier of artistic content. Justyna Koeke presented her latest collection “Princesses and Saints” at the Berliner Alternative Fashion Week BAFW in March 2016. “
The text Unrestrained Exaggeration: Artistic Hyper-Visibility as Radical Fashion Agency defines concepts like mannequin, runway, doll, model, aesthetics of age appropriate and fashion.
These tailored fantasies are brought to life on the bodies of ladies of advanced years. The publication presents the entire project: from the child-like naive drawings, via photographs of the dressed-up models before the sterile backdrop of their retirement home, to fun-loving fashion shows – an equally humorous and critical approach to the correlation of childhood dreams and the reality of getting older, in which the unsolved issues of an increasingly ageing society invariably resonate.
And all of that with childish joy!
Angela van der Burght